主演：丹尼·戴·维利尔斯,梅拉尼·罗兰,兰利·柯克伍德,赖恩·麦克·伦南,布兰登·奥雷
导演：吉勒斯·戴·迈斯特
简介：11岁的女孩米娅（丹妮·戴·维利尔斯 Daniah De Villiers 饰）跟随着家人，从伦敦来到南非生活，居住在当地的一间农场里。离开了熟悉的家乡，非洲广袤的平原并未能够吸引米娅的注意，正相反，米娅无时不刻怀念着过去的城市生活。自从搬来这里，她稚嫩的脸庞上少了笑容，多了阴霾。某日，农场里诞生了一位新成员——一只名叫查理的小狮子。小狮子的到来让米娅重新找回了快乐，和查理一起生活的每一天，都有着新的惊喜等待着米娅去挖掘。然而，随着时间的推移，查理慢慢的长大，它的攻击性和危险性也与日俱增，为了保护米娅的安全，家人们不得不选择将这对好朋友隔离开来。
主演：凡妮莎·帕拉迪丝,布律诺·克雷梅,卢德米拉·米卡埃尔,弗朗索瓦·尼格雷特
导演：让-克洛德·布里索
简介：中年的弗朗索瓦（布鲁诺·克雷默）是名哲学老师，他和风度怡人的妻在小镇里过着中规中距的生活。然而他的学生，17岁的少女玛蒂尔（凡妮莎·帕拉迪丝）出现了，带着少年人少有的成熟和不羁。弗朗索瓦带着挽救堕落少女的心情走近她，却难以抑制的被玛蒂尔的热情和聪慧所吸引。他们相爱了，激情四溢，刻骨铭心。可是当玛蒂尔要求弗朗索瓦离开妻，与她一起时，男人退缩了，他想到了年龄，婚姻，道德，身份，想到了太多的琐碎。再次绝望的玛蒂尔用激烈的方式破坏老师的生活，颠覆了他的事业与婚姻，然后消失的无影无踪。当人们再次发现她的时候，她的房间里写着“弗朗索瓦，这里就是海。”
主演：格雷戈瓦·勒普兰斯-林盖,露易丝·布尔昆,梅尔维尔·珀波,穆恩·戴莉,斯万·阿劳德
导演：吉勒·马尚
简介：史蒂芬·布塞将拍摄第九部长片[无论好坏](Pour le meilleur et pour le pire，暂译)。布塞也将与文森特·林顿继[尚蓬小姐]、[弥留之春]、[市场法则]、[开战]后第五度携手，桑德琳娜·基贝兰则担任本片女主角，安东尼·巴容([祈祷])同时加盟出演该片。本片剧本由布塞与老搭档奥利维尔·拉戈斯共同撰写，故事围绕57岁的菲利普·莱梅瑟(林顿饰)展开。他的妻子(基贝兰饰)准备离他而去，而深爱着他的妻子离开他的原因却是因为他已渐渐沉迷于工作压力无法自拔。菲利普是一家美国投资企业的高管，而他现在陷入了两难的境地，他不知道如何满足上司的要求，此刻的他早已精疲力尽。影片将在法国南部的新阿基坦大区阿让镇及其附近取景，共计拍摄五周。影片将由Diaphana法国发行，Wild Bunch负责国际销售。
主演：夏洛特·韦里,弗里德里克·范登德里舍,米歇尔·瓦莱蒂,赫尔菲里克,让-克洛德·比埃特,玛丽·里维埃,罗杰·杜马斯,达尼埃莱·莱布伦,戴安莱夫里耶,Ava,Loraschi,Christiane,Desbois,Rosette,Jean-Luc,Revol,Haydée,Caillot,Claudine,Paringaux
导演：埃里克·侯麦
简介：侯麦著名系列作品“四季的故事”之一。菲利茜（夏洛特·海瑞 Charlotte Véry饰）和查理（费德瑞克·范丹狄德夏 Frédéric van den Driessche饰）在海边浪漫相恋之后，因为一时不留神留下了写错的地址，而导致了二人再也找不到彼此。菲利茜生下了查理的孩子，但5年来却再也没有查理的音讯。生活还在继续，菲利茜遇上了喜欢她的一些男子，他们也不失为好男人，足够爱自己。比如成熟体贴的马桑（迈克尔·瓦雷蒂 Michael Voletti饰）和才华横溢的路易（Hervé Furic饰）。然而，在菲利茜的心中，查理却仍旧是个挥之不去的至爱之人。她不是不爱他们，只是无法爱到能和他们一起生活。她和路易一起看莎士比亚的歌剧《冬天的故事》，为里面的人物悄然落泪，也许她和剧中人一样，也在坚守着一个信念。终于某个冬天，菲利茜和查理竟然在公车上重遇，执着的梦想等来了实现的一天。
主演：凯瑟琳·德纳芙,让·索雷尔,米歇尔·皮科利,吉内瓦维·佩吉,皮埃尔·克里蒙地,弗兰西丝·法比安,玛莎·梅赫勒,穆尼,Maria,Latour,克洛德·塞瓦尔,米歇尔·查瑞尔,Iska,Khan,贝尔纳·米松,马塞尔·沙尔韦,弗朗索瓦·麦斯特,弗朗西斯科·拉瓦尔,乔治·马沙尔,弗朗西斯·布朗什
导演：路易斯·布努埃尔
简介：美丽的中产阶级女子塞芙丽娜（凯瑟琳•德纳芙 Catherine Deneuve 饰）拥有一个幸福美满的家庭。身为外科医生的丈夫皮埃尔（让•索尔 Jean Sorel 饰）英俊温柔，收入颇丰，但他却始终无法令妻子得到肉欲上的满足。碍于身份，塞芙丽娜只得通过幻想自己受人虐待和欺凌，并从中得到欢愉。无可忍耐之下，她跑到妓院卖身，因为只能在丈夫出诊的这段时间（下午2点到5点）出卖身体，因此她得到了“白日美人”的称号。从最初的抗拒到完全的解放，塞芙丽娜得到莫大的满足与快感。在此期间，她结识了职业杀手马塞尔（皮埃尔•克莱蒙迪 Pierre Clémenti 饰），后者为白日美人的美艳与神秘所吸引，却也将彼此带入现实与虚幻交错的混乱之中……
主演：伯特·兰卡斯特,保罗·斯科菲尔德,让娜·莫罗,苏珊娜·弗罗恩,米歇尔·西蒙,沃尔夫冈·普莱斯,阿尔贝·雷米,Charles,Millot,Richard,Münch,雅克·马兰,保罗·博尼法,Donald,O'Brien,让·皮埃尔·佐拉,亚瑟·布豪斯,让-克劳德·伯克,霍华德·沃侬,海尔莫·金德曼,Roger,Lumont,格雷德·布尔,Victor,Beaumont,米歇尔·查瑞尔,贝尔纳·弗雷松,贝尔纳·拉雅里热,丹尼尔·勒库图瓦,Wolfgang,Sauer
导演：约翰·弗兰克海默
简介：以火车为主要叙事舞台的影片中，约翰．弗兰肯海默导演的这部战争动作片是令人难忘的杰作。故事时代背景是二次世界大战末期，德军眼看大势已去，深黯艺术无价的德国指挥官保罗．斯科菲尔德乃下令将一批法国名画从博物馆搬回德国去。负责驾驶这列火车的司机伯特．兰卡斯特在严密监视下，仍跟法国铁路局人员及地下游击队配合行动，用鱼目混珠及瞒骗等种种方式跟德军斗智，力保国宝不致流出国境之外。全片剧情结构严谨，气氛处理紧凑生动，常有令人捏一把汗的精彩场面出现。两位男主角的表演旗逢敌手，张力十足，也表现了各自的爱国心。
主演：蕾雅·赛杜,黛安·克鲁格,维吉妮·拉朵嫣,诺埃米·洛夫斯基,泽维尔·布瓦,米歇尔·罗班,茱莉-玛丽·帕芒提耶,洛丽塔·夏马,玛莎·科夫曼,弗拉基米尔·康斯金尼,多米尼克·雷蒙,安妮·波努瓦,埃尔韦·皮埃尔,阿拉丁·瑞贝尔,雅各·诺勒
导演：伯努瓦·雅克
简介：故事发生在1789年的法国凡尔赛宫，革命的热潮席卷了整个国家，居住在宫中的王公贵族们成为了革命者们攻击的对象。为了保命，很多人决定逃跑，可是皇后玛丽（黛安·克鲁格 Diane Kruger 饰）却无法放下她高贵的尊严。长久以来，波利内公爵夫人（维吉妮·拉朵嫣 Virgi nie Ledoyen 饰）和玛丽皇后保持了暧昧而又亲密的关系，而这一次，保全波利内公爵夫人的性命则成为了玛丽皇后首当其冲需要解决的问题。西朵妮（蕾雅·赛杜 Léa Seydoux 饰）只是一介小小侍女，但她对玛丽皇后的忠臣和爱慕是任何人都无法相比的，即使到了这个紧要关头，她依然希望能够守在玛丽皇后的身边，为她卖命。于是，西朵妮顺理成章的成为了玛丽皇后手中的棋子，而她并不知道，自己将要面临的是怎样的命运。
主演：加斯帕·曼尼斯,拉斐尔·费伊特,弗朗辛·拉塞特,斯坦尼斯拉斯·卡雷·德·马尔博格,菲利普·莫里尔-热努,弗朗索瓦·贝莱昂,弗朗索瓦·尼格雷特,彼得·菲茨,伊莲娜·雅各布,阿诺·翁利叶,勒内·布洛克,Pascal,Rivet,Benoît,Henriet,Richard,Leboeuf,Xavier,Legrand,Jean-Sébastien,Chauvin,Luc,Etienne
导演：路易·马勒
简介：二战末期，德国的反犹政策还在坚定不移地推行着。来自马赛的犹太孩子波奈特（拉法艾丽·弗托Raphael Fejtö 饰）因此家破人亡，被送到法国的学校念书。在这里，他一直小心翼翼的保守着他的秘密，但还是因为新生的关系常常遭到同学戏弄。其中就有法国有钱家庭出身的朱利安（加斯帕尔·马奈斯Gaspard Manesse 饰）。朱利安和波奈特成为了室友，在共同相处的日子里，朱利安发现，这个经常被欺负的男孩有着跟自己志趣相投的一面。两人的关系渐渐融洽，成了童年要好的伙伴。当朱利安从种种迹象猜测出波奈特的犹太人背景时，他没有疏远波奈特，而且还帮忙隐藏这个秘密。也许在孩子的心中，政治世界在真挚的友谊面前显得太过渺小。然而，大人的魔掌还是侵入了波奈特的人生，保护犹太孩子的神父和波奈特都被出卖了……
主演：利诺·文图拉,桑德拉·米洛,让-保罗·贝尔蒙多,马塞尔·达里奥,米歇尔·阿旦
导演：克洛德·索泰
简介：Abel Davos在所有警察的追捕下，从意大利米兰流窜到法国尼斯。与一名陌生小伙子Eric Starck同谋合作，他重新回到巴黎，为的是解决债务……一部震惊的作品，充满了紧张悬念气氛。由乔斯.乔凡尼根据自己的小说改编，是法国警匪电影中最出色的经典之一。
主演：萝拉·克雷顿,塞巴斯蒂安·乌泽多夫斯基,瓦莱丽·博莱同,瑟奇·伦科,欧扎·费什特
导演：米娅·汉森-洛夫
简介：卡米儿（罗拉•塞利顿Lola Créton 饰）十五岁那年遇上了苏利文，初恋的滋味让这个尚在懵懂的女孩品尝到爱情青涩的味道。然而苏利文从大学退学，为了追求独立的生活，在夏天即将结束的时候离开了这个城市，开始了独自一人的旅程。刚开始的几个月他还断断续续的给卡米儿来信，讲述着自己旅途中的事情，但几个月后，当卡米儿每每检查信箱时，却再没了苏利文的音讯。就这样一段全心投入却又无疾而终的初恋让卡米儿心灰意冷，甚至想要自杀来寻求解脱。在家人的帮助下，卡米儿渐渐从这段爱情带给自己的伤痛走了出来，并且发奋学习终在四年后成为了一名出色的建筑师。工作的原因让她认识了现在的男友洛朗，然而这段稳定的爱情却在卡米儿偶遇苏利文后起了一丝波澜…
主演：René,Lefèvre,朱尔·贝里,弗洛雷勒
导演：让·雷诺阿
简介：朗治（瑞奈·列费夫尔 René Lefèvre 饰）在一间印刷厂里做了一辈子的文员，撇开正式职业不谈，他还有一颗成为作家的心，常常在业余时间创作漫画和小说。一天，朗治的老板因为贪腐诈骗的罪行东窗事发选择了跑路，却在路上遭遇车祸下落不明，为了维持印刷厂的正常运作，朗治被推举成为了印刷厂的临时管事人，在朗治和其他员工们的努力经营之下，本来濒临倒闭的印刷厂不仅避免了关门大吉的命运，还有了不菲的盈利。一天，老板巴尔塔（朱尔·贝里 Jules Berry 饰）忽然出现在了朗治的面前，大难不死的他不仅企图侵吞朗治和工人们的所有劳动成果，甚至想要将朗治的女友据为己有。
主演：法布莱斯·鲁奇尼,恩斯特·吴默埃,克里斯汀·斯科特·托马斯,艾玛纽尔·塞尼耶,德尼·梅诺谢
导演：弗朗索瓦·欧容
简介：法国高校文学老师吉尔曼（法布莱斯·鲁奇尼 Fabrice Luchini 饰）给学生布置了一篇周记，要求他们如实记录周末的见闻。在众多乏味的作业中吉尔曼意外发现16岁少年克劳德（恩斯特·吴默埃 Ernst Umhauer 饰）的文章异常精彩。克劳德是一个安静的观察者，习 惯坐在教室的最后一排。他的作业是关于偷窥——讲述他如何潜入朋友家中、窥探对方一家生活的故事。吉尔曼被字里行间深深吸引，熄灭已久的文学激情亦被点燃。他不但决定单独辅导才华横溢的克劳德、鼓励他放手创作，还与妻子珍娜（克里斯汀·斯科特·托马斯 Kristin Scott Thomas 饰）一同分享克劳德的作文。然而成年人在阅读过程中竟渐渐忘记了虚构和现实的边界，更懵然不知自己的居室早已房门大开......法国鬼才导演弗朗索瓦·欧容曾凭借黑暗惊心的《八美图》、《泳池谋杀案》惊艳世界影坛。在《5×2》、《时光驻留》等温情文艺片后，新片《登堂入室》再次回归欧容最擅长的悬疑惊悚题材。电影改编自西班牙舞台剧《最后一排的男孩》，导演巧妙拼接偷窥文学与扑朔迷离的现实断面，用似真似幻、充满层次感的创作故事挑战情欲道德禁区。本片入围法国凯撒奖六项大奖，获多伦多电影节国际影评人费比西奖和西班牙圣塞巴斯蒂安电影节最佳影片金贝壳奖，同时入选欧洲年度最佳电影之一。©
主演：马克桑斯·达奈-弗伟尔,鲁伯特·韦恩-詹姆斯,萨比恩·克洛森,Anaïs,D'Alyciade,Jean-Michel,Dubreuil,Agatha,Maksimova,Louise,Molinaro,Anaïs,Parello,Eléonore,Sarrazin,Axel,Baille
导演：乔里斯·福肯·格里莫德
简介：The House of Gaunt - Lord Voldemort Origins is a short film directed by Joris FAUCON GRIMAUD about Voldemort origins."The House of Gaunt" is an unofficial short film who tells about the Voldemort origins, inspired by the Harry Potter universe from J.K. Rowling's book « Harry Potter and the Half-Blood Prince ». It is freely adapted for the screen and directed by Joris FAUCON GRIMAUD. This is a non-profit movie production that is unaffiliated and/or controlled by Warner Bros.Made by fans for fans.
主演：艾莎·阿基多,迈克尔·马德森,林熙蕾,吴嘉龙,阿莱克斯·德斯卡,金·戈顿
导演：奥利维耶·阿萨亚斯
简介：俄罗斯人迈尔斯（迈克尔•马德森 Michael Madsen 饰）跟黑人同伙说想要金盆洗手，但是黑人警告说跟他交易的是一个不讲信用的公司。对此，债台高筑的俄罗斯人并没有在意，他依旧利用情人桑德拉（艾莎•阿基多 Asia Argento 饰）替自己贩毒，同时验货的还有跟莱斯利（吴嘉龙 饰）的妻子休（林熙蕾 饰）。两个人因为是情敌所以貌合神离。在一次交易中，桑德拉不幸遭遇警察突袭，这时莱斯利挺身而出帮助她逃离毒贩老巢，并且跟她擦出了爱情的火花。当再次出现希望SM的时候，她亲手杀掉了昔日情人，并踏上了莱斯利安排好的逃生路线。然而，跑路到香港的她，再次邂逅了休，并遭遇了更加云谲波诡的追杀……
主演：让娜·莫罗,朱莉·加耶,Liliane,Rovère,皮埃尔·里夏尔,德尼·波达利德斯,洛兰特·道驰,马修·格克齐
导演：多米尼克·蒙法尼
简介：纳塔将满7岁，却一直不能识字。他对姑妈遗留给他的藏书失望不已。直到夜晚降临，书中的人物纷纷现身，告知纳塔他们面临永远消失的危险。于是纳塔投身于一场冒险，来拯救他的朋友和他们的故事。他来得及读出拯救他们的咒语吗？
主演：Richard,Anconina,帕特里克·坦西,布鲁诺·洛歇,Jean-Luc,Lahaye,Jeanne,Mas,Gilbert,Montagné,Sabrina,Salerno,Valéry,Zeitoun,Début,de,soirée,Desireless
导演：Frédéric,Forestier
简介：Vincent和Antoine都是狂热的乐迷，两人靠到处做工地秀苦苦支撑着一个小小的演艺公司。眼看生计难以为继，Vincent家中的一个小小皮盒给了他们创业灵感：Jeanne Mas, Jean-Luc Lahaye, Lio, Desireless, Peter & Sloane, François Feldman, Début de soirée, Images, Cookie Dingler, Sabrina, Gilbert Montagné... 里面装满了80年代的畅销曲！让这些80年代的巨星重新登上舞台会大卖吧！？两位制作人于是出发去寻找那些已经被公众遗忘的明星们。从乡下小酒吧里的寒酸怀旧演唱会开始r……直到法兰西体育场！
主演：娜奥米·沃茨,劳拉·哈灵,安·米勒,贾斯汀·塞洛克斯,斯科特·科菲,梅利莎·乔治,布兰特·布里斯科,罗伯特·福斯特,凯瑟琳·汤,李·格兰特,比利·雷·赛勒斯,查德·艾微特,丽塔·塔格特,詹姆斯·凯伦,洛里·海瑞,安哲罗·巴达拉曼提,迈克尔·德·巴雷斯,马库斯·格雷厄姆,丹·哈达亚,马克·佩雷格里诺,蒙蒂·蒙哥马利,迈克尔·J·安德森
导演：大卫·林奇
简介：深夜的穆赫兰道发生一桩车祸，女子丽塔（劳拉·赫利 Laura Harring 饰）在车祸中失了忆。她跌跌撞撞来到一个公寓里藏身。一名男子说他常常梦见一个叫云奇的地方，那里有个恶魔盯着他。于是就来到云奇，果真见到墙后有怪物出现，男子当场晕死。另有一名杀手杀死了他面前 的男人，然而蹩脚的他却惹来了不少一连串的麻烦。故事回到一个刚到好莱坞“寻梦”的女子贝蒂（娜奥米·沃茨 Naomi Watts 饰），她的姨父姨母在电影圈有广泛人缘，让贝蒂的发展如虎添翼，试镜大受好评。同时，她所住的公寓，正好是丽塔藏身之地。贝蒂收留了丽塔，二人感情融洽。面对记不起自己是谁的丽塔，贝蒂决定帮助她寻找回自己的记忆。一名导演想自己决定新戏的女主角，却被他人强行安排人选。工作不顺意的他还发现妻子和清洁工睡在一起。这些看似松散的事件，就像一个迷宫，引向一个让人猜不透的世界……
主演：内详
导演：居伊·德波
简介：Voice 1 (male "professional announcer" type): This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned "subjective profundity". They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone): Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1: They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole "” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2: "Our life is a journey "” In the winter and the night. "” We seek our passage..."�Voice 1: The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2: There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl): No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1: The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2: One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1: When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment "ordinary life"� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant: nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2: The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3: The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1: In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2: Years, like a single instant prolonged to this point, come to an end.Voice 1: What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2: The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept?Voice 3: What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2: Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1: Really hard to drink more.Voice 2: Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation "” poor and false like this botched traveling shot.Voice 3: There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments? The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2: In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the point?Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：德尼·拉旺,米雷耶·佩里耶,Carroll,Brooks,Elie,Poicard
导演：莱奥·卡拉克斯
简介：落寞的青年亚历克斯（德尼·拉旺 Denis Lavant 饰）独自徘徊巴黎街头，他的女友移情别恋，不久又要去服兵役，钟爱的电影事业前景模糊。偶然机缘，亚历克斯进入一个私人聚会，并结识了美丽的女孩蜜蕊拉（蜜蕊拉·皮雷 Mireille Perrier 饰）。蜜蕊拉此前与男友伯纳情深意笃，为了爱情她甘愿奉献一切，这却让对方无法承受如此炽烈的感情，只能选择逃避。相同的境遇让他们走到一起，互诉各自的情感经历，两人的心由此更加贴近。亚历克斯和蜜蕊拉相互依偎，空气中弥漫着悲伤无望的气味……本片为莱奥·卡拉克斯（Leos Carax）导演处女作，并荣获1984年戛纳电影节青年奖。
主演：伊莎贝尔·阿佳妮,山姆·尼尔,玛吉特·卡斯滕森,莱斯利·马尔顿,海因茨·贝能特,约翰娜·霍费尔,卡罗尔·杜瑞,肖恩·劳顿,马克西米利安·露丝莱恩,托马斯·弗雷
导演：安德烈·祖拉斯基
简介：马克（Sam Neill 饰）的妻子安娜（Isabelle Adjani 伊莎贝尔•阿佳妮 饰）未留下任何原因离家出走，他一度认为安娜与一个名叫海恩里克（Heinz Bennent 饰）的男人有染，却发现海恩里克也在寻找许久未见的安娜。马克于是雇佣私家侦探调查。但随着线索的逐一呈现，事实的真相反倒令马克等人难以置信。安娜所耽恋的对象竟然是……本片分别荣获1982年戛纳国际电影节和法国凯撒电影节最佳女演员奖、1983年葡萄牙奇幻电影节观众大奖和最佳女主角奖、1981年西班牙圣保罗国际电影节评论奖。
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE? One of the more priceless of the "bagatelles" in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
主演：梅拉尼·罗兰,璐·德·拉格,凯撒·东布瓦,本杰明·瓦赞,埃马纽埃尔·贝克特,塞德里克·康,科拉莉·吕西耶,玛尔蒂娜·舍瓦利,Grégoire,Bonnet,安德烈·马尔孔,瓦莱丽·斯特罗,Christophe,Montenez,Valentine,Cadic,Mathilde,Roehrich,Lomane,de,Dietrich
导演：梅拉尼·罗兰
简介：Eugénie是生活在19世纪一位光芒四射充满热情的姑娘。她有一种特殊的天赋：听得到看得见过世的人。当她的家人发现这个秘密以后，她就被爸爸和兄弟送到神经病诊所萨尔佩特里尔医院，这让她完全没有可能逃脱她的命运了。这个诊所是由著名的Charcot教授管理，他是著名的神经学专家和精神病专家先锋，收容被诊断为歇斯底里、疯狂和癫痫以及所有类型的躯体和精神障碍女病人。Eugénie接下来的道路将会遇到Geneviève，神经科女护士，这位护士的生活在她眼前流逝，可她去从未真正活过。她们的相遇将会改变她们的命运。她们准备着Charcot教授每年在诊所举行的著名《疯美人舞会》。
主演：让·塞维斯,罗伯特·曼努埃尔,卡尔·蒙纳,朱尔斯·达辛
导演：朱尔斯·达辛
简介：因盗窃罪被判入狱五年的Tony（吉恩·塞维斯 Jean Servais 饰）出狱了，他的朋友Jo（Carl Möhner 饰）想和他再去盗一个珠宝店，被Tony拒绝了。Tony想找回他以前的女友Mado，然而此时Mado却和另一个黑帮老大Grutter在一起。Tony很气愤，打了Mado，并且决心重新赢回Mado。于是他答应了Jo，并联合Mario和César一共四人展开了盗窃珠宝店的行动。行动实施得非常顺利，César还拿了一个钻石戒指送给他的女友Viviane。Viviane是Grutter的酒吧里的女歌手，Grutter发现了这个戒指，认为Tony和César是盗窃者；同时，Mado提出要离开Grutter，Grutter知道是因为Tony的缘故，于是派人去杀死Tony......本片根据法国作家Auguste le Breton's的同名小说改编。
主演：加朗斯·马里利埃,艾拉·朗夫,拉巴·纳伊·乌费拉,洛朗·吕卡,乔安娜·普莱斯,伯利·兰内尔,玛丽安·费尔努,让-路易·斯比尔,维吉尔·勒克莱尔,贝兰奇尔·麦克尼斯
导演：朱利亚·迪库诺
简介：贾斯汀（加朗斯·莫里利尔 Garance Marillier 饰）生长在一个素食主义家庭之中，严格遵守着饮食上的戒律，从未尝过荤腥。贾斯汀进入了一间兽医学校就读，作为校园里的“菜鸟”，她受到了来自老生们的无情的压榨和排挤，森严的等级制度让贾斯汀倍感压抑，而她和亦在这里就读的姐姐埃里克西亚（艾拉·朗夫Ella Rumpf 饰）之间的关系也十分紧张。没有了父母的管制，贾斯汀决定尝一尝肉的滋味，然而随着时间的推移，她渐渐发现熟肉已经无法再满足她，她的内心里滋生出了对生肉和鲜血的渴望。这日益强烈的渴望折磨着贾斯汀，而埃里克西亚对于妹妹的异样竟然毫无意外。一场意外中，埃里克西亚的手指被剪刀剪下，面对着眼前的断指，贾斯汀再也无法压抑内心的欲望。
主演：雅克·维列雷,安德烈·杜索里埃,蒂埃里·莱尔米特,伯努瓦·马吉梅尔,Suzanne,Flon
导演：让·贝克
简介：普泽（雅克·维列雷 Jacques Villeret 饰）是当地一名受人尊敬的小学老师，他还有另一个身份——小丑。一到星期天，他就带上家当，在戏团里表演令人捧腹的小丑独角戏。儿子鲁西恩十分不理解他这种行为，觉得父亲的表演令他难堪。普泽的好朋友安德（安德烈·杜索里埃 André Dussollier 饰）看出了鲁西恩的心思，于是向他讲起了一段往事。二战期间，在法国的一个小镇上，普泽和安德为了讨好他们心仪的一个姑娘，决定当一回抗战英雄。夜里，他们把德军占领的铁路设施炸毁了，同时也炸伤了一名法国老工人。不久，德军为了揪出凶手，就随机抽取四个本地男人作为人质，如果真凶不来投案，就枪决人质。不幸的是，普泽和安德也被抽中。人质被囚禁在一个深坑里，就在他们又冷又饿之时，坑口上出现了一个德国士兵。他对着四人做出各种滑稽动作，还把食物扔给他们，他说自己以前是马戏团里的小丑……
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